1 for Violin and Piano and Suite for Strings and Harps. Periodic suggestions that versions other than the printed one exist are both unsubstantiated and pointless, for these works, even if somewhat more compositionally specified than the general run of Piazzolla's works, certainly permit variation in performance. On 11 June 1983 he put on one of the best concerts of his life when he played a program of his music at the Teatro Colón in Buenos Aires. Inspired by Vardaro's style of tango, and still only 17 years old, Piazzolla moved to Buenos Aires in 1938 where, the following year, he realized a dream when he joined the orchestra of the bandoneonist Aníbal Troilo, which would become one of the greatest tango orchestras of that time. The last show that the three of them did together was an appearance on CBS the only colour TV channel in the US on the Arthur Murray Show in April 1960.[10].
Back in Buenos Aires he founded his Conjunto 9 (a.k.a. Astor Pantaleón Piazzolla was fluent in four languages: Spanish, English, French, and Italian. Towards the end of the year he dissolved his sexteto and continued playing solo with classical string quartets and symphonic orchestras. On September 6, 1987, his quintet gave a concert in New York's Central Park, which was recorded and, in 1994, released in compact disk format as The Central Park Concert. He now put aside his first Quinteto and made several recordings with his new ensemble in Italy. Life and Music
Piazzolla was born in Mar del Plata, Argentina in 1921 to Italian parents, Vicente Nonino Piazzolla and Asunta Manetti. Of the many ensembles that Piazzolla set up during his career it was the quintet formation which best expressed his approach to tango. Between 1950 and 1954 he composed a series of works that began to develop his unique style: Para lucirse, Tanguango, Prepárense, Contrabajeando, Triunfal and Lo que vendrá. Astor Pantaleón Piazzolla (Spanish pronunciation: [pjaˈsola], Italian pronunciation: [pjatˈtsɔlla]; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. For that moment alone these pieces are worthy of wider familiarity, and there are several others equally as beautiful. Guitarra Mía: Tangos by Gardel and Piazzolla, Piazzolla: Café 1930, Music for Violin and Guitar, Histoire du Tango: Piazzolla - Music for Violin and Guitar, Astor Piazzolla: Complete Works for Guitar, Piazzolla: Complete Music for Flute and Guitar, Piazzolla: Histoire du Tango/Cinco Piezas/6 Etudes Tanguistiques, Preludio Latino; Latin-American Guitar Music, Shadow Box: Five Contemporary Classics for Solo Guitar. In 1975 he set up his Electronic Octet an octet made up of bandoneon, electric piano and/or acoustic piano, organ, guitar, electric bass, drums, synthesizer and violin, which was later replaced by a flute or saxophone.
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