VNIf a painting is making me laugh while I'm working on it, then I know there is something there, like a spark that's going to get people interested. Connection to Country and protecting Country is something that artists from all over Australia make work about and share stories about. Humour can disarm, and in my paintings, I use humour as an equaliser, to put everyone on the same level. This is really special because I always thought of these series as being one big body of work that contains the same themes from different perspectives. VNI didn't know a lot about this side of my family history when I was growing up, but once I got older I learned more about my grandfather's incredible legacy.
Located 45 minutes from Adelaide, the Gallery offers 3 exhibition spaces and a contemporary retail outlet featuring works from South Australia's leading artists and designers. Vincent Namatjira's Trump and Obama (2017). # tarnanthi # agsaadelaide __ Image: photo Saul Steed My grandfather is a recurring figure in my paintings because I feel his influence as I work—that old man made his own path with watercolour landscapes of his country, and that made me determined to find my own path, and not follow anybody else's. I feel really proud to be presenting a remote Indigenous perspective on the world stage. To make artwork enquiries, follow artists and galleries, save and share artworks and receive our newsletter. I've only seen Taylor's works in books and online, but I really hope to be able to check out some of his work in person soon. Born in Alice Springs, Namatjira was sent to live with foster, THIS IS NO FANTASY + dianne tanzer gallery was established in 2013 by Nicola Stein and Dianne Tanzer.
Bold, painterly and conceptually rich, Vincent Namatjira's work has gained significant recognition in Australia and abroad. By conflating unlikely figures, including Queen Elizabeth holding a teacup emblazoned with the Union Jack alongside Trump clutching a McDonald's bag (Queen Elizabeth & Donald, 2018), Namatjira wittily highlights the politics of history, power, and leadership from a contemporary Indigenous perspective. All these works look at ideas of power structures and different concepts of leadership and influence. VNLast time I was in Melbourne I saw E. Phillips Fox's famous painting of Captain Cook at the National Gallery of Victoria (Landing of Captain Cook at Botany Bay, 1770).
See eight of the most collectible art works made during a hard but historic year. With humour and wit, Vincent Namatjira explores the complex issues of colonial history and its living consequences on Aboriginal Australians in his bold and dramatised portraits. Sign up with your email address to receive exhibition invitations and news updates. This work represents a new way of working for Vincent Namatjira, and a departure from his wall-based paintings on canvas. Murray Bridge Regional Gallery is proud to be presenting this exhibition as part of the exemplary Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art - we have an excellent and long-standing relationship with Art Gallery of SA and Weapons for the Soldier represents our first partnership with Tarnanthi.
On this occasion, Namatjira remarked in an interview on the power of painting: 'When you touch a paint brush, it makes you bigger, it makes you gigantic.'. “The idea for Weapons for the soldier came from a group of young artists and future leaders from the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands: Vincent Namatjira, Anwar Young, Kamurin Young, Derek Jungarrayi Thompson and Aaron Ken. The Murray Bridge Regional Gallery is proudly recognised as one of the leading galleries in regional South Australia. VNI am really interested in people in positions of power; people who have incredible wealth and influence. Stein and Tanzer are dedicated to promoting and exhibiting outstanding contemporary artists in Australia and increasing their visibility. Vincent and the young Anangu artists invited Indigenous and non-Indigenous artists from across Australia, whose work shares common themes, to join them in this project. Ocula Advisory assists clients to build and manage their collections.
He works in what he describes as a messy, busy studio located in Iwantja Arts, a studio complex and arts centre owned and run by members of the Indigenous community that provides support, advocacy, and context for artists including Alec Baker, Peter Mungkuri, Tiger Yaltangki, and Kaylene Whiskey.
Figures of personal and political significance jostle for space in Namatjira’s often humorous compositions, which conflate past and present into unlikely scenarios frequently including a mischievous self-portrait. Welcome to Indulkana is like a contemporary update on heroic white-guy paintings like Fox's. He was an early inspiration for me, showing me that desert art could be more than dot painting.
Close Contact is a double-sided portrait in acrylic paint on plywood. Donald Trump is in quite a few of the paintings—I recently found out that Trump and I have the same birthday, which is pretty weird! We are proud of the young artists for driving this groundbreaking and important project. The three series depict the seven Australian prime ministers who have been in power in my lifetime (up until 2016 when they were painted) ('Prime Ministers', 2016); seven senior Anangu men, artists, and cultural leaders from the APY Lands ('Legends', 2018); and the seven richest people in Australia (in 2016 when they were painted) ('The Richest', 2017). Namatjira is a painter from Indulkana on the Anangu Pitjantjatjara Yankunytjatjara Lands in the north-west of South Australia.
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