I don't know whether it would work in just any film, but here he's such an oasis of intelligence in a desert of comedic stupidity that I'd like to see if it would. You must login or create an account to comment.
Just when Becca breaks up with her boyfriend and offers Stu a potential shot, an aggressive LAPD detective named Vic (Dave Bautista) hops in the car and demands to drive him around the city to catch drug lord Oka Teijo (Iko Uwais), who murdered Vic’s partner. Stuber review: The world’s worst ... self-deprecating, and intellectual comedy stylings. With a title that’s almost as lazy as its script, “Stuber” is a lackadaisical attempt at a “woke” buddy-cop comedy that just can’t figure out how …
Nanjiani nervously wisecracks while Bautista grimaces, squinting through dilated eyes for the comedic effect of blurry rooms and mistaken identities.
Every once in a while, an indie studio will land on a movie that feels fresh—Booksmart from Annapurna delivered a one last hurrah high-school buddy comedy from a woman's perspective, for instance—but Stuber represents a rarity. Canadian-born Michael Dowse directs, working from what was originally a spec script from screenwriter Tripper Clancy.
The action half of the action-comedy tends to lean more towards slapstick than shoot-’em-up, even when heads are exploding, and while it’s capably handled, the movie is at its best when its two leads are bickering in the car. It’s telling that the lines that actually land were improvised by the actors and not written by Clancy, and had director Michael Dowse (“Goon”) given those scenes and comedic arcs more focus, perhaps “Stuber” would have been naturally funnier. Mostly, the script relies on a ticking clock subplot: Can Stu complete the mission in time to get the girl? Best of 2018: Film Awards and Nominations, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. Stuber reaches its destination, but the journey is far from memorable and mostly underwhelming. With a by-the-numbers screenplay by Tripper Clancy and assembly-line direction from Michael Dowse (see his 2013 hockey comedy, “Goon,” instead), Stuber is just the umpteenth iteration of the buddy-cop action drama pioneered by “48 Hrs.” almost 40 years ago.
That means Stuber offers a higher caliber of fight sequence than its comedic predecessors. Really there is very little chemistry between Bautista and Nanjiani, the cameo from Karen Gillan is disconcertingly fleeting, and if you compare this with something like the Beanie Feldstein/Kaitlyn Dever comedy Booksmart, the dialogue really does sound a bit pedestrian.
At the end of the day, though, Stuber’s biggest problem isn’t the swearing, or the trope-heavy script, or the lame jokes, it’s that the movie is simply slow and boring.
It’s not the clumsiness of the filmmaking that rankles so much as the hypocrisy. Watch Deadline's video review of 'Stuber,' for which Kumail Nanjiani deserves 5 stars for trying to Lyft predictable action comedy with Dave Bautista.
The film manages to capture that very L.A.-like quality of a diverse, large community that’s spread out and on the move but is woven together by apps, iPhones, and yes, rideshare services. Maybe the film's name could be a bit stronger for promotion's sake, but I wouldn't change anything else about this perfectly imperfect B movie. Notable Video Game Releases: New and Upcoming, 2020 Fall Film Festival Recap: Best & Worst of TIFF and Venice, 2020 Emmy Awards: Full Winners List + Critic Reviews, It’s both funny and familiar to see these two incredibly different personalities thrust together for what’s meant to be a short ride. The better comp is “Lethal Weapon” (1987) with Bautista as the Mel Gibson madman and Nanjiani as the reserved Danny Glover. So, to ensure her father makes the show, Nicole takes her dad's phone and installs Uber (a guy shouldn't drive post-Lasik, after all). tuber is a buddy action-comedy in which Kumail Nanjiani plays a sporting-goods store worker and part-time. Pedestrian dialogue … Dave Bautista and Kumail Nanjiani in Stuber. Stuber and Shaft are the kind of movies Hollywood made every month back in the ’80s and ’90s, until audiences — after a half dozen or so Lethal Weapons — grew tired of them. It’s a bad sign when a summer action-comedy leaves teenage boys saying (as I overheard while the credits rolled) “I could have waited for that to hit Netflix”. Marketing clearly hasn't been a priority for Stuber anyway.
All rights reserved. Stuber is the common case of an awful marketing campaign that turned out to be a pretty solid summer buddy film, with two rising stars in Hollywood in Nanjiani & Bautista. But, alas, he we are.
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