Go to the Appearance panel and get rid of the stroke. In the Appearance panel, select the Path (rather than the individual Fill). As you can see, I didn’t move it much. Change the color to a bright aqua and the rest of the settings as shown to the left. I used about 35 pixels. Your email address will not be published. Then enable shape dynamics with the pen pressure option and in the brush tip shape section let's adjust the settings as shown.
Next up we will be adding more stars, yet these will be quite bigger and closer to our point of view; so first of all let's grab our gradient tool be sure its set to circular and select the custom blue gradient as shown here. Go over to the Warp Tools panel and double click on Twirl. Once satisfied with what we have we will duplicate the layer 3 times and of course then merge them all. Let's go ahead and scroll down to find this brush shown below. And in this new layer let's apply a spatter filter with the settings shown here. Now grab a soft brush of about 50px and create a layer mask on this latest layer.
Now with black selected just mask off this layer as shown here, again following the flow of our spiral galaxy. You can see why the choice for the location. Design, code, video editing, business, and much more. 14. Now let's add finally our human technology elements to this part of our story; some of the escaping ships wondering outside the galaxy looking for a new home.
In the Layers panel, drag this layer below your galaxy layer to move it to the back. I am currently working as a senior Matte Painter/Environment TD at MPC in Vancouver BC. Now just make some duplicates of this ship and slightly vary its shape and position as shown here. Choose a low Twirl Rate to slow down the twirling so that you can control it better, or a higher one to speed it up. This is a very long step because of all the settings and clicks you have to go through, but its not complicated its just a matter of following it and you will see soon enough how we will progress through it and how each steps provides us with valuable content. OK so on the layer below select a lighter blue as shown here and paint in some lighter strokes as shown. Adapt the brush size if you need. Find inspiration in the 1980’s to re-create the title for Thor Ragnarok. Let's make a new document as shown here, and fill it with black. Change the Feather amount so that the white fills only the larger areas of the galaxy, like the center. Next up select the brush shown below and reduce its size to about this size, plus set it up in the brush palette fro shape dynamics and transfer.
Today's tutorial is part of a 4-part series depicting the journey of the inhabitance of a dying world that must travel into the unknown to find a new world to call home.
Very good now make a duplicate of this last layer and apply some levels to it as shown below, so we get nice intensified highlights. In this tutorial you will learn how to make a vector galaxy shape in Illustrator using the Ellipse and Twirl tools. Next just create a clipping mask so the gradient affects only the galaxy base and then merge the two layers together. In this tutorial, Teela shows us how to create a hand lettered watercolor Mother’s Day card. You will leverage basic tools and effects, transformation techniques, patterns and pattern brushes to make a truly unique design. When you’re done creating the logo in Illustrator, you’ll finish off the design in Photoshop by overlaying it on top of a photograph. So grab the gradient tool again. Once we have our shape, we will make it look cool and glowy by applying certain effects to the shape fill. Now just paint some sections of space dust around our galaxy.
And since it is a vector shape, you can easily scale it to whatever size you need! The edge of the ellipse should now look something like this. Required fields are marked *.
Here’s the galaxy so far, and what the Appearance panel looks like. Finally let's add a color balance layer, and adjust the settings as shown below. Then hide the original group and merge the new one. Next with our tiny brush still selected we will choose a bright yellow color as shown here and add a bit of highlights to the strokes we have been working on as shown below. Notice how perfect the curves are, and how perfectly spaced the “arms” are.
Now create a layer mask for the resulting layer. So with this in mind let's distribute some more of these stars as shown here.
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